TWENTY

2023

https://www.stadtbad.eu/twenty

20 // TWENTY is a project which explores art and people in digital-virtual spaces and critically examines them. The virtual STADTBAD was rebuilt for this laboratory trip with 10 more swimming pools and a complex backend with interactive design tools for 2D, 3D objects, multimedia forms of expression in sound and video, room and light design options, object movement effects up to water and fog.

20 actors from 8 nations were curated into 10 tandems that get involved with each other, make the process publicly tangible and at the same time question it. Collaboration with Anneleen Swillen, Greg Scheirlinckx and Carla Petzolt to create:

Handing over

2023

19.4.2023 at Domplatz in Bressanone, Italy

26.4.2022 im Teatro Prometeo, Bozen, Italien

The two dancers Miriam Taschler and Carla Petzolt relate principles of an achievement based society to their bodies and their relationship to each other. Both are part of the power structures of this system - willingly or not - subordinate themselves, reproduce these structures in their interactions.

Die Perspektive von Handing Over auf die Thematik power and disempowerment is a materialist-feminist one, informed by the personal experiences of the dancers. While women* not only have lower-paid jobs, they usually do the majority of the unpaid housework. There is (still!) an attitude towards women* that discriminates against them, restricts their participation in society and prescribes a role for them as reserved and focused on the well-being of (male) fellow human beings.

Project: Passo Nord – Centro Regionale Residenze Artistiche del Trentino Alto Adige/Südtirol

sfb

2022

SFB – shameful body

With this research, I use shameful body parts as a starting point for new movement qualities. I search for innovative movement material and develop new dance vocabulary for myself, away from learned "norms" in contemporary dance.

Supported by the Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media within the framework of NEUSTART KULTUR.

Foto by Julia Hafner

Interferenz

2022/ 2023

12.-14.5.2023 im Ideas Block KompresorinÄ—, Vilnius – Litauen

2.-4.12.2022 im Kunstquartier Bethanien, Studio 1, Berlin

The artists transfer the physical concept of interference into their artistic work - from two waves that collide and overlap,a new wave is created that has changed its form. Following this principle, photography and dance meet in Interference to enable the experience of both art forms in a new way.

The photographer Ilmė Vyšniauskaitė and the dancers Carla Petzolt, Mareile Gnep and Miriam Taschler make shame tangible through visual and choreographic means. They deal with the social, political and cultural facets of shame using a feminist approach. The artists focus on shame itself, but also on related concepts such as guilt and individual choice. They transfer this directly into the space.

Supported by the Autonomous Province of Bolzano, South Tyrol. Supported by flausen+ and flausen+headquarters. Supported by the Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media within the framework of NEUSTART KULTUR.

(dis)played!

2022

Who owns public spaces? Who is wanted there? (How) is art allowed to occupy these spaces?

We will show various short dance films created in public places all over Germany. This will be followed by an audience discussion, the dancers and filmmaker will be on site. Cinema evenings will take place at Wiesenburg Berlin and Wolfkino, open-air cinema events at PA58 and by the Luisenbad library.

Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Federal Government Commissioner for Culture and Media within the framework of the initiative NEUSTART KULTUR. Assistance Program for Dance.

Foto by Laura Volgger

(dis)connect!

2022

What happens to a dance piece when it is reworked by dancers of different genres and movement styles?

(dis)connect! is a dance experiment: 12 dancers work together, across spatial distance and stylistic differences.

The artists performed in 8 different locations in public spaces across Germany. The results were filmed and are available online.

Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Federal Government Commissioner for Culture and Media within the framework of the initiative NEUSTART KULTUR. Assistance Program for Dance.

WOMEN'S Fortress

2022

in the fortress Fortezza (South Tyrol - Italy): Transformation of the historical building Franzensfeste into the FRAUENfeste (Women's Fortress).

Multidisciplinary art project with exhibition and installation.

Video editing: Ilme Vysniauskaite, Music: Fillipos Raskovic

Supported by the Office for Culture of the Autonomous Province of Bolzano - South Tyrol.

Foto by Norbert Hingst

Urban movement research project

2022

How can dance interact with permanent art in urban space? How does dance reach places that have little to do with this art form? I explore how contemporary dance can work far from designated art spaces and draw inspiration from everyday art encounters.

Funded by the Federal Government Commissioner for Culture and the Media in the NEUSTART KULTUR programme, [aid programme DIS-TANZEN/ tanz:digital/ DIS-TANZ-START] of the Dachverband Tanz Deutschland.

an other way

2021

Multidisciplinary co-production by artists from Senegal and Germany.
In collaboration with Ndar Dance, Sencirk, aWay Ensamble. Contemporary circus and dance, and different cultural contexts merge and create a new experience for the audience.

Structures

2021

Part of the interdisciplinary project 'Lyrical Will - Metamorphoses'.
Performance at Astra Brixen (Italy) together with Carla Petzolt

Power Dynamics

2020

Exploring through dance: How do different social groups experience power differentials? How do we deal with socially determined power imbalances? Can these power dynamics direct and shape us, and can we alter them as well?

Supported by the Office for Culture of the Autonomous Province of Bolzano - South Tyrol.

Foto by Laura Volgger